Bessarion and music Concepts, theoretical sources and styles / Bessarione e la musica Concezione, fonti teoriche e stili, 2021

IDENTIFICAZIONE

Tipologia
materiale a stampa
Tipologia specifica
monografia
Segnatura precedente
FL-2021-030

NUMERAZIONE STANDARD

Tipo numero
ISBN
Valore
9788875520748

RESPONSABILITÀ

curatore
editore

DESCRIZIONE FISICA

Consistenza
XIII, 178 pp.

CONTENUTO

Note
Indice: DAVIDE CROFF, Foreword, pp. VI-IX; SILVIA TESSARI, Preface, pp. XI-XIII; DANIEL GLOWOTZ, Born from a Series of Misunderstandings. The Reports about Music at the Council of Florence and the Documents of Cardinal Bessarion's Musical Thought, pp. 3-33; SILVIA TESSARI, Bessarion and his Musical Manuscripts now in Venice, pp. 35-42; GERDA WOLFRAM, The Art of Chanting Reflected in Fifteenth/Sixteenth Centuries Byzantine Theoretical Treaties, pp. 43-50; CHRISTIAN TROELSGÅRD, Ioannes Plousiadenos, Bessarion and Byzantine music. Tracing Aspects of Byzantine Chant Traditions in Later Part of Fifteenth Century along the Axis Constantinople - Crete - Venice, pp. 51-73; NINA-MARIA WANEK, Byzantine _Polyphony' in Bessarion's Time, pp. 75-110; GIUSEPPE SANFRATELLO, Byzantine Chant in the Sicilian-Albanian Colonies since the Time of Bessarion, pp. 111-123; MARIA ALEXANDRU, St Kassia through the Eyes of Byzantine Composer of Kalophonic Era, pp. 125-155; Bibliograpghy, pp.157-176; Index of names, pp. 177-178.
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Venezia