recensione a: Frits Noske, Saints and Sinners. The Latin Musical Dialogue in the Seventeeth Century, Oxford, Clarendon Press, 1992

recensione a: Iain Fenlon, Music and Patronage in Sixteenth- Century Mantua, Cambridge, Cambridge University Press 1980-1982; Anthony Newcomb, The Madrigal at Ferrara 1579-1597, Princeton, N.J., Princeton University Press 1980 (Princeton Studies in Music, 7); Lewis Lockwood, Music in Renaissance Ferrara 1400-1505. The Creation of a Musical Centre in the Fiftheenth Century, Oxford, Clarendon Press 1984 (trad. it.: La musica a Ferrara nel Rinascimento. La creazione di un centro musicale nel XV secolo, Bologna, Il Mulino 1987)

recensione a: Frederick W. Sternfeld, The Birth of Opera, Oxford, Clarendon Press, 1993

recensione a: Victor Crowther, The Oratorio in Modena, Oxford, Clarendon Press, 1992 («Oxford Monographs on Music»)

recensione a: Peter Allsop, The Italian "Trio" Sonata. From its Origins until Corelli, Oxford, Clarendon Press, 1992 («Oxford Monographs on Music»)

recensione a: Jane L. Baldauf-Berdes, Women Musicians of Venice. Musical Foundations, 1525-1855, Oxford, Clarendon Press, 1993 («Oxford Monographs on Music»)

recensione a: Frits Noske, The Signifier and the Signified, Studies in the Operas of Mozart and Verdi, The Hague, Martinus Nijhoff 1977

recensione a: Guglielmo Ebreo of Pesaro, De pratica seu arte tripudii / On the Practice of Art of Dancing, edited, translated, and introduced by Barbara Sparti, Oxford, Clarendon Press, 1993

recensione a: Frits Noske, Dentro l'opera. Struttura e figura nei drammi musicali di Mozart e Verdi, traduzione di Luigia Mainardi, Venezia, Marsilio, 1993 («Musica critica»)

recensione a: Alan Curtis, Sweelinck's Keyboard Music - A Study of English Elements in Seventeenth-Century Dutch Composition, Leide: University Press - London: Oxford University Press 1969 (Publications of the Sit Thomas Browne Institute Leiden, General Series No. 4)