recensione a: Thomas D. Culley S. J., Jesuits and Music: I A Study of the Musicians connected with the German College in Rome during the 17th Century and their Activities in Nothen Europe, Roma 1970, Jesuits Historical Institute (Sources and Studies for the History of the Jesuits)

recensione a: Giuseppe Verdi, Rigoletto, a cura di Martin Chusid, Chicago and London, The University of Chicago Press, Milano, Ricordi 1983, partitura e commento critico; Ernani, a cura di Claudio Gallico, ivi 1985, partitura e commento critico (THe Works of / Le opere di Giuseppe Verdi, serie I, voll. 17 e 5)

recensione a: Schubert. Critical and Analytical Studies, edited by Walter Frisch, Lincoln and London, University of Nebraska Press 1986; Walter Frisch, Brahms and the Principle of Developing Variation, Berkeley, Los Angeles, London, University of California Press 1984

recensione a: Claudio Monteverdi. Festschrift Reinhold Hammerstein zum 70. Geburstag, a cura di Ludwig Finscher, Laaber-Verlag 1986; Gary Tomlinson, Monteverdi and the End of the Renaissance, Berkeley, University of California Press 1987

recensione a: Don Harran, In Search of Harmony. Hebrew and Humanist Elements in Sixteenth-Century Musical Thought, («Musicological Studies and Documents» 42) [Neuhausen-Stuttgart], American Institute of Musicology, Hänssler-Verlag 1988

recensione a: Ruth C. Lakeway and Robert C. White Jr., Italian Art Song, Indiana University Press, Bloomington and Indianapolis 1989

recensione a: Reading Opera, edited by Arthur Groos and Roger Parker, Princeton, Princeton University Press, 1988; Analyzing Opera. Verdi and Wagner, edited by Carolyn Abbate and Roger Parker, Berkeley - Los Angeles -London, University Press, 1989

recensione a: Okeghem's Missa Cuiusvis Toni in its Original Notation and in all the Modes, with an Introduction by George Houle, Bloomington and Indianapolis, Indiana University Press, 1992

Musical Instruments in Fifteenth-Century Netherlands and Italian

Musical Instruments in 17th-Century Dutch Paintings